John Carpenter on the set of Ghosts of Mars with Ice Cube
Few cultural scraps are as redolent of lo-fi VHS genre pleasures than a movie trailer with JOHN CARPENTER’s (born 1948) name above the title and his own analog synth score. Carpenter’s breakthrough was Dark Star (1974), a wiseass repudiation of 2001: A Space Odyssey’s intergalactic awe. Bits of the movie’s code can be discerned in the DNA of Douglas Adams’ Hitchhiker’s Guide to the Galaxy (chirpy talking bombs and planet-destroying contractors); the SF:UK comedy series Red Dwarf (opening credits featuring a Country & Western number playing over a shot of a sauntering space ship); and — via Dan O’Bannon, who co-wrote both — Ridley Scott’s Alien.
"A politician needs the ability to foretell what is going to happen tomorrow, next week, next month and next year. And to have the ability afterwards to explain why it didn't happen."Winston Churchill […]
The use of human-like features for social interaction with people can facilitate our social understanding. It is the explicit designing of anthropomorphic features, such as a head with eyes and a mouth that may facilitate social interaction. This highlights the issue that socialinteraction is fundamentally observer-dependent, and exploring the mechanisms und […]